
ABOUT
THE DISC & RECORDINGS:
Recorded live in concert at the London Palladium
on November 8th, 1964, as well as their return concert on November
15th,
1964
(only
one
Liza
solo
would
be included on the album from the November 15th recording).

On November 23, 1964 Judy and Liza recorded vocal tracks for
the album in Capitol's London studios, recording these
vocals over the orchestra tracks that were made during the November
15th recording. Judy dubbed "Just Once In A Lifetime" (one
take);
"His Is The Only Music That Makes Me Dance" (two takes);
and together Judy and Liza dubbed "Hello, Dolly" (one
take); "Don't Rain On
My Parade" (three takes); "San Francisco" (three
takes); and "Chicago"
(two takes - this song used orchestra tracks from the first concert).
Liza dubbed new solos of her "Mama" tribute and "Who's
Sorry Now?".
Per Scott Schechter's book Judy Garland The Day-By-Day Chronicle
Of A Legend, "Part of the reason for recording these
new takes is that much of the second concert audiotapes were
ruined by a
buzzing sound that bled through from some of the television cameras
that were videotaping the show that night. For all this effort,
the only thing that would be used from this session on the album
was the ending of "Hello, Dolly," that occurs after
the dialogue between Judy and Liza and the audience."
The November 15th concert was videotaped by ITV British Television.
Sadly, only 55 minutes were broadcast,
and it's these 55 minutes that have survived. The rest of the
footage is lost. The 55 minute show was released on VHS by
LaserLight/Delta Music in 1997. The show was subsequently released
on DVD on November
19, 2002 by the White Star company both as a single disc and
also packaged in a "The Judy Garland Collection" boxed set
along with an abridged version of the PBS documentary "The Concert
Years", the 1963 TV special with Robert Goulet & Phil Silvers,
and "Once In A Lifetime", the 1962 TV special with
Frank Sinatra and Dean Martin.
An abridged single record version of the concert was released
by Capitol in 1973 (Capitol ST-1191). A German company called "Public
Domain" released a 2-CD set of the entire concert (Label
Number: PD 2005-2)
but it quickly went out of release and is quite rare.
"Live At The London Palladium" has never been officially released on
CD. Some songs, including some outtakes, were included in the 1991 Capitol boxed
set "The One And Only". Other
tracks have been included in several CD compilations such as the 1993 Curb CD "Judy
Garland and Liza Minnelli: Together" (released January 12, 1993) and
the 1998 Curb CD "It Was A Good Time - The Best of Judy Garland and Liza
Minnelli" (released August 4, 1998). The previously unreleased "Don't
Rain On My Parade" was released on the 2002 Capitol compilation "Classic
Judy Garland: The Capitol Years 1955-1965" (released on September 22,
2002) along with Judy's haunting "What Now, My Love?".
An announcement was made in 2002 that the entire concert, along
with rehearsal recordings, was to be released officially in
a deluxe 2-CD set. Cover artwork was sent out, and fans everywhere
reserved their copies. But the set was never released. The
rumor was that "The Family" (The
Judy Garland Heir's Trust) was unhappy with the release due
to the quality of Judy's
voice on
several of her vocals. Another rumor was
that Judy's second daughter Lorna Luft stopped the release
because she (The "Heir's
Trust" again)
wanted a cut of the profits and/or money for the use of images
of Judy. Whatever the real reason is, the set has still never
been released. However, bootleg CD copies of the master CDs
(probably duped from a pre-release promotional copy) are easily
available
on eBay and other online auction site.
There was also a 1980's British re-release of the original
pressing (#EM 1249) with the same cover art as this original,
and in the gatefold sleeve format. The release date can
only be estimated as this record is still factory sealed, so
examination of the Capitol labels is not possible.
All images on this page from the collection of Scott Brogan & Eric Hemphill.
Images above and below from the inside and back of the
original gatefold album.
Album cover restoration provided by "Alex in Belgium" - thank you Alex!
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