Title |
Performed
By...
|
From
The Film... |
| Side
One
|
| Heigh
Ho, The Gang's All Here |
The
M-G-M Studio Orchestra & Chorus
(Fred Astaire & Joan Crawford vocals recorded live
on set and therefore not included.) |
Dancing
Lady (1933) |
| Inka
Dinka Doo |
Jimmy
Durante performs his trademark song, recorded for,
but deleted from this film. He ended up performing
it in Two Girls And A Sailor (1944) a decade
later, excerpted in That's Entertainment, Part
II (1976) |
Hollywood
Party (1934) |
| You
Are |
Test
record by the M-G-M Orchestra of this deleted song. |
Hollywood
Party (1934) |
| Hot
Chocolate Soldiers |
A
demo record of this song used for an animated sequence
in the film. The demo is performed by the song's lyricist,
Arthur Freed (Music by Nacio Herb Brown). |
Hollywood
Party (1934) |
| Dancing
On A Rainbow |
Mr.
Freed performs another demo: The song was not used
in the film. |
Hollywood
Party (1934) |
| We
Are The Cute Little Baby Sisters |
This
deleted song was performed by M-G-M chorines, and was
written by Rodgers & Hart.
|
Hollywood
Party (1934) |
| Fly
Away to Ioway |
A
deleted parody of "Shuffle Off To Buffalo" written
by Rodgers & Hart and sung by Jimmy Durante & Shirley
Ross. |
Hollywood
Party (1934) |
|
Reckless (1935)
The studio cast Jean Harlow as a Broadway musical
star for this big-budget showbiz yarn. Miss Harlow's
limited vocal abilities hampered the production
numbers which were heavily edited in the final
film. Here we present several excerpts from the
recording sessions, including voice-double portions
sung by Shirley Ross.
|
| Reckless |
Shirley
Ross |
Reckless
(1935) |
| Reckless |
Jean
Harlow |
Reckless
(1935) |
| Reckless |
Jean
Harlow |
Reckless
(1935) |
| Reckless |
Jean
Harlow |
Reckless
(1935) |
|
Rose Marie
(1936)
Jeanette MacDonald is joined by Nelson Eddy
in the sessions for this famous song, both in solo
and duet.
|
| Indian
Love Call |
Jeanette
MacDonald |
Rose
Marie (1936) |
| Indian
Love Call |
Jeanette
MacDonald
|
Rose
Marie (1936) |
| Indian
Love Call (pick-up) |
Jeanette
MacDonald
|
Rose
Marie (1936) |
| Indian
Love Call (pick-Up) |
Jeanette
MacDonald
|
Rose
Marie (1936) |
| Indian
Love Call |
Jeanette
MacDonald and Nelson Eddy |
Rose
Marie (1936) |
|
Born To Dance
(1936)
Various versions of the famous Cole
Porter classic written for this film are presented
here.
|
| Easy
To Love |
Frances
Langford |
Born
To Dance (1936) |
| Easy
To Love |
Sid
Silvers |
Born
To Dance (1936) |
| Easy
To Love |
James
Stewart |
Born
To Dance (1936) |
| Easy
To Love |
Orchestra
|
Born
To Dance (1936) |
| Easy
To Love |
Orchestra
reprise |
Born
To Dance (1936) |
|
Rosalie (1937)
Nelson Eddy and the orchestra go through several takes
of the Cole Porter title song.
|
| Rosalie |
Nelson
Eddy |
Rosalie
(1937) |
| Rosalie
(with three pick-ups) |
Nelson
Eddy |
Rosalie
(1937) |
| Rosalie
(with three pick-ups) |
Nelson
Eddy |
Rosalie
(1937) |
| Rosalie
(pick-up) |
Nelson
Eddy |
Rosalie
(1937) |
| Rosalie |
Nelson
Eddy |
Rosalie
(1937) |
|
Side Two
|
| Always
And Always (extended version) |
Joan
Crawford - Mannequin - A lush melodrama
starring Joan Crawford and Spencer Tracy gave its leading
lady an opportunity to warble a few bars of this song,
which later served as the theme song for M-G-M's weekly
radio series "Good News Of 1939". |
Mannequin
(1937) |
| A
Message From The Man In The Moon |
Allan Jones - This Marx Brothers romp was loaded with
songs, but much material was deleted before release.
This Allan Jones recording was intended for the beginning
of the film, but cut in previews.
|
A
Day At The Races (1937) |
| Begin
The Beguine |
The
Music Maids provide the introduction to the M-G-M Orchestra's
swinging performance of this Cole Porter classic which
provided Fred Astaire and Eleanor Powell the opportunity
to create screen history. |
Broadway
Melody Of 1940 (1940) |
| Begin
The Beguine (tag) |
M-G-M
Studio Orchestra |
Broadway
Melody Of 1940 (1940) |
|
Every
Sunday (1936)
Here we present the original recordings by both
Deanna Durbin and Judy Garland for this short subject
excerpted in That's Entertainment! (1974)
|
| Il
Bacio |
Deanna
Durbin
|
Every
Sunday (1936) |
| Il
Bacio |
Deanna
Durbin
|
Every
Sunday (1936) |
| Il
Bacio |
Deanna
Durbin
|
Every
Sunday (1936) |
| Il
Bacio |
Deanna
Durbin |
Every
Sunday (1936) |
| Intro
To Americana (low vocal) |
Judy
Garland |
Every
Sunday (1936) |
| Intro
To Americana |
Judy
Garland |
Every
Sunday (1936) |
| Intro
To Americana |
Judy
Garland
|
Every
Sunday (1936) |
| Intro
To Americana |
Judy
Garland |
Every
Sunday (1936) |
| Opera
Vs. Jazz |
Deanna
Durbin & Judy Garland |
Every
Sunday (1936) |
| Opera
Vs. Jazz |
Deanna
Durbin & Judy Garland |
Every
Sunday (1936) |
|
Side
Two
All recordings on this side re-mixed to
stereo from original microphonic angles except
where noted
by an asterisk (*)
|
The Big Store
(1941)
The Marx Brothers' last M-G-M romp had a great
deal of music on the film and even more that was deleted.
The first song presented on this side was written by
Roger Edens and sung by Tony Martin. "Where There's
Music" was deleted from this film, and eventually used
in Presenting
Lily Mars (1943) where is was sung by
Judy Garland. Rarities follow as we hear Groucho
in the recording studio.
|
| Where
There's Music |
Tony
Martin |
The
Big Store (1941) |
| Rock
A Bye Baby |
Virginia
O'Brien |
The
Big Store (1941) |
| Sing
While You Sell |
Groucho
Marx & Six Hits & A Miss |
The
Big Store (1941) |
| Sing
While You Sell (Part Two) |
Groucho
Marx & Six Hits & A Miss |
The
Big Store (1941) |
| Sing
While You Sell (Part Two - alternate take) |
Groucho
Marx & Six Hits & A Miss |
The
Big Store (1941) |
| Sing
While You Sell (Part Three) |
Groucho
Marx & Six Hits & A Miss |
The
Big Store (1941) |
|
---
|
| Did
I Get Stinking At The Club Savoy (Intro) |
Virginia
O'Brien
|
Panama
Hattie (1942) |
| Savoy
(Part Two) (Let's Be Buddies) |
Virginia
O'Brien
|
Panama
Hattie (1942) |
| Savoy
(Part Three) |
Virginia
O'Brien
|
Panama
Hattie (1942) |
|
Cairo
(1943)
A minor film with Jeanette MacDonald and Ethel
Waters provided fascinating material in its recordings.
Miss Water's displeasure with the proceedings is evident.
|
| Waitin'
For The Robert E. Lee |
Ethel
Waters
|
Cairo
(1943) |
| Waitin'
For The Robert E. Lee |
Jeanette
MacDonald
|
Cairo
(1943) |
| Woman
Without A Man |
Ethel
Waters
|
Cairo
(1943) |
| Buds
Won't Bud |
Ethel
Waters
|
Cairo
(1943) |
|
---
|
| Sepmpre
Libera* |
Kathryn
Grayson
|
Thousands
Cheer (1943) |
| By
The Waters Of Monnetonka |
Ethel
Smith (organist) with Johnny Green and the M-G-M Studio
Orchestra
|
Bathing
Beauty (1944) |
| Tico
Tico |
Ethel
Smith (organist) with Johnny Green and The M-G-M Studio
Orchestra
|
Bathing
Beauty (1944) |
| Please
Don't Say No (outtake) |
The
King Sisters
|
Thrill
Of A Romance (1946) |
| Young
Man With A Horn (Part One) |
June
Allyson with Harry James and his Orchestra
|
Two
Girls And A Sailor (1944) |
| Shine |
Buck
and Bubbles
|
Cabin
In The Sky (1943) |
| Love
Is Like This* |
Rare
rehearsal demo sung by Jane Powell
|
Nancy
Goes To Rio (1949) |
| Oceana
Roll |
Outtake
version sung by Jane Powell (chorus vocals missing)
|
Two
Weeks With Love (1950) |
| A
Kiss To Build A Dream On |
Louis
Armstrong
|
The
Strip (1951) |
| Wonder
Why (outtake) |
Jane
Powell and Vic Damone
|
Rich,
Young, And Pretty (1949) |